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There is a
vitality, a life force, an energy, a quickening, that is
translated through you into action, and because there is only one of you
in all time, this expression is unique. And if you block it, it will
never exist through any other medium and will be lost.
Martha Graham
Introduction |
Task |
Process | Resources |
Evaluation |
Conclusion |
Credits
Introduction
You are a member of a professional dance company who makes work, based
on improvisation. Your job is to research and create a dance to perform
to the public. Additionally, you will take responsibility for music,
costumes, finding and gaining permission to use the
site and publicity.
Genuine beginnings begin
within us, even when they are brought to our attention by external
opportunities.
William Bridges
Task
You will
be working with three other dancers to create a piece based on
an overall theme of your choice. In addition, each dancer will be an
expert on a particular modern dancer, who has had a profound effect on
improvisation. You will produce a history of research through adopting a
journal for reporting your notes and displaying your final report on a
board, in collaboration with the other dancers in your group. You will
also note the processes involved as being joint choreographers,
performers and other responsibilities within the group.
Creative work is play. It
is free speculation using the materials of one’s chosen form.
Michele
Shea
Process
1.
Choose a group of four individuals.
2.
Decide upon an overall THEME for your dance.
Include in your report why you have chosen this theme as well as what
characteristics should be observed from your dance.
3.
Each of you should choose a different role in
addition that will be your area of expertise. You will need to have some
background information on either music,
costume design, publicity or sites for dance performances before you
start. Consider the steps that need to be taken to do this.
4.
Each dancer will search for a modern dancer who has
influenced improvisation that applies to the group theme and his or her
area of expertise.
5.
Research dance improvisation and consider the
following questions:
A.
Start with the Dance Artist,
Title, Date, Dance Piece.
B.
Where was the piece created?
C.
What are the origins of the piece?
D.
Why did you choose the
choreographer?
E.
What are the distinct qualities
that you can name about the dance movement?
F.
What have been their roles in
history?
G.
What events in the dance artist’s
life may have affected his/her work.
6.
Video rehearsals to show work in progress and the end product.
7.
Create a display board, showing how each step of the dance was created
and the extra tasks involved.
8.
Your end result will be a final showing to members of the public.
Shoot for the moon.
Even if you miss if you will land among the stars.
Les Brown
Below are some
general improvisation web-sites and resources. You will have to conduct
your own research via the Internet and using alternative resources to
find information concerning your responsibility for music, costume
design, publicity or sites for dance performances. Please direct your
research to answer the questions surrounding a specific dance artist
also.
Resources
Useful Improvisation Web-sites
www.movetolearn.com
www.contactcollaboration.com
www.contactimprov.net
www.earthdance.net
Dance Web resources and reviews:
http://artslynx.org/dance/education.html
Dance Education resources:
http://artsedge.kennedy-center.org
Education World Standards:
www.educationworld.com/standards/national/art/dance/k_4.shtml
For further information about the National Association for Standards in
Dance (NASD):
http://www.arts-accredit.org/
Articles:
Carter, C (2000) Improvisation in Dance.
The Journal of Aesthetics and Art Criticism, 58 (20), 181-191.
Schwartz, P. (2000). Action Research: Dance Improvisation as Dance
Technique. The Journal of Physical Education, Recreation and Dance, 71,
(5), 42.
Books:
Blom,
L.A & Chaplin, L.T. (1998) The Moment of Movement. Pittsburgh, PA:
University of Pittsburgh Press.
Franklin, E.N (1997) Dance Imagery for Technique and Performance.
Champaign, IL: Human Kinetics.
Halprin,
A. (1995) Moving Towards Life.
Wesleyan
University Press: Hanonver.
Morgenroth,
J. (1987) Dance Improvisation.
Pittsburgh,
PA: University of Pittsburgh Press.
Nagrin,
D. (1994) Dance and the Specific Image.
Pittsburgh,
PA: University of Pittsburgh Press.
NASD (2002) The National Association of Schools of Dance Handbook
2003-4. Virginia: NASD.
Evaluation
Your group will receive a template
rubric. You will decide what factors will determine the point scale for
each of the following categories:
Written facts about your theme, historic
modern dancer, chosen role within the group, and dance piece.
Role as a choreographer and performer
examined.
Written observations or
opinions of the dance piece.
Resources used
You and your teacher will need to agree
upon your final rubric. Below are some guidelines:
|
|
Beginning
1 |
Developing
2 |
Accomplished
3 |
Exemplary
4 |
Score |
|
Quality of the Theme Developed for Selection
|
Description of
identifiable performance characteristics reflecting a beginning
level of performance. |
Description of
identifiable performance characteristics reflecting development
and movement toward mastery of performance. |
Description of
identifiable performance characteristics reflecting mastery of
performance. |
Description of
identifiable performance characteristics reflecting the highest
level of performance. |
|
|
Breadth of the Items Selected
|
Description of
identifiable performance characteristics reflecting a beginning
level of performance. |
Description of
identifiable performance characteristics reflecting development
and movement toward mastery of performance. |
Description of
identifiable performance characteristics reflecting mastery of
performance. |
Description of
identifiable performance characteristics reflecting the highest
level of performance. |
|
|
Creativity
|
Description of
identifiable performance characteristics reflecting a beginning
level of performance. |
Description of
identifiable performance characteristics reflecting development
and movement toward mastery of performance. |
Description of
identifiable performance characteristics reflecting mastery of
performance. |
Description of
identifiable performance characteristics reflecting the highest
level of performance. |
|
|
Quality of the Way the Dance Piece is Displayed or Explained
|
Description of
identifiable performance characteristics reflecting a beginning
level of performance. |
Description of
identifiable performance characteristics reflecting development
and movement toward mastery of performance. |
Description of
identifiable performance characteristics reflecting mastery of
performance. |
Description of
identifiable performance characteristics reflecting the highest
level of performance. |
|
|
Level of Research and Responsibility of Job within the Group
|
Description of
identifiable performance characteristics reflecting a beginning
level of performance. |
Description of
identifiable performance characteristics reflecting development
and movement toward mastery of performance. |
Description of
identifiable performance characteristics reflecting mastery of
performance. |
Description of
identifiable performance characteristics reflecting the highest
level of performance. |
|
|
Level of Comprehension of Dance Artist
|
Description of
identifiable performance characteristics reflecting a beginning
level of performance. |
Description of
identifiable performance characteristics reflecting development
and movement toward mastery of performance. |
Description of
identifiable performance characteristics reflecting mastery of
performance. |
Description of
identifiable performance characteristics reflecting the highest
level of performance. |
|
To dance, put your hand on your heart and listen
to the sound of your soul.
Luigi
Conclusion
Congratulations! You have completed your own group dance piece, based on
a theme of your choice as well as researching dance improvisation and
adopting a specific role within the group. Make sure that you keep the
video to show to your friends and family.
Credits & References
The Web-Quest Page:
http://webquest.sdsu.edu
Design Patterns:
http://webquest.sdsu.edu/designpatterns/index.htm
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Last updated on (February
28, 2003). Based on a template from
The WebQuest
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